Lamb (2021)
In the interview that is included as the only extra on the UK blu-ray of Lamb,
the director is asked if he considers it to be a horror film. He says
that he doesn’t, and I can fully understand why. However, it is widely
considered to be one, and I can understand why that is too. Specifically
it is often referred to as “folk horror”—a sub-genre of which I am a
quite a fan.
I won’t describe the plot, as it
is definitely a case of “the less you know the better,” but in support
of the director’s stance, I think it is fair to say that for the bulk of
its running time, the film is not trying to frighten its audience. It
is, however, a strange, surreal film—and it is unsettling. For me
personally, that, and the unexpected denouement, make it fair game for
the “horror” tag.
The film plays out like a
kind of dark fairy tale, and it is actually a very touching story.
Although it is a supernatural tale, it is also very concerned with
themes such as family, bereavement, grief, and how we, as humans, cope
with those things. It takes place in a desolate but beautiful
mountainous region of Iceland, and is stunningly photographed.


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