Thirst (1979)
My second 1979 vampire film in row, after Werner Herzog’s Nosferatu the Vampyre, Thirst
is also an unconventional entry in the vampire genre. The plot concerns
a woman who is abducted by what I can only really describe as a
“corporate cult of vampires.” They believe her to be the descendant of
Elizabeth Báthory, and thereby capable of further empowering their
organization. The well-organized vampires in this movie don’t stalk
their victims like we are accustomed to, they keep them in farms and
drain their blood using the vampiric equivalent of cow-milking machines.
This
is an Australian film, but it features quite a few non-Australian
actors, notably the prolific Henry Silva, and David Hemmings, who played
the lead in Dario Argento’s Deep Red (1975). Although definitely a horror film, Thirst plays out much like a certain strain of pre-Star Wars dystopian science fiction movie, such as Westworld and Soilent Green
(both 1973). Although in that respect the movie could be accused of
lagging behind the times, it actually looks and feels more like a
product of the 1980s than the 1970s.
Many of
the actors seem to have been recruited from Australian TV dramas,
including lead Chantal Contouri who plays Kate Davis, alleged descendant
of the Bloody Countess. It does have something of a TV movie vibe to
it, but I am not sure why I feel that way, as it is well produced
(except for a few cheesy "glowing eyes" scenes!). It has a very low-key,
down-tempo feel to it that some might find a bit turgid, but that I
personally rather like. It also features a lot of dream and
hallucination sequences, which are often very prolonged. Those aspects
combine to imbue the film with a certain trance-like quality that I
greatly appreciate.
Also notable is the score
by Australian composer Brian May (not the Queen guitarist!), with a main theme
that reminded me of Britain's Hammer House of Horror TV show from around the same period.All in all a pretty enjoyable 93 minutes, which I look forward to visiting again sometime.


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